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	<title>Works &#8211; Madam Borajints</title>
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	<title>Works &#8211; Madam Borajints</title>
	<link>https://madambozarjiants.com</link>
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	<item>
		<title>Flying Fragments</title>
		<link>https://madambozarjiants.com/works/flying-fragments/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Fri, 05 Sep 2025 12:35:01 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=380</guid>

					<description><![CDATA[Flying Fragments is a sculptural exhibition table designed as a centerpiece for fashion expos and curated installations. This piece explores the intersection of raw materiality and poetic symbolism, embodying the fragmented yet visionary nature of contemporary fashion design.Structure &#38; Materials:The table is composed of gathered stainless steel plates-each plate shaped uniquely and arranged irregularly to form a broken yet intentional surface. These metal fragments vary in size, orientation, and height, with visible gaps between them. The result is a fragmented landscape that reflects the process of fashion as it evolves through experimentation, failure, and refinement.Floating above and subtly nestled among the metal fragments are elegant black ceramic bird forms. These birds, abstract and stylized, appear to be in mid-flight-either perched on the plates or suspended in motion. Their matte ceramic finish contrasts against the cold, reflective steel, adding warmth, movement, and a sense of narrative.Symbolism:The fragmented steel symbolizes the deconstructed foundation of design-fashion in its raw, unfinished state. The gaps represent opportunity and the creative unknown, while the birds evoke freedom, transformation, and the ever-evolving voice of fashion.

Together, they speak to the dialogue between structure and imagination.Functionality in Exhibition:This table serves as both a display platform and an art installation. It can be used to present accessories, textiles, or statement fashion pieces. The interplay of form, texture, and negative space invites viewers to move around it, discover details from different angles, and interpret the fashion objects as part of a larger narrative."Fragments in Flight" is not just a display-it's a visual story about how fashion rises from chaos and takes flight.]]></description>
										<content:encoded><![CDATA[Flying Fragments is a sculptural exhibition table designed as a centerpiece for fashion expos and curated installations. This piece explores the intersection of raw materiality and poetic symbolism, embodying the fragmented yet visionary nature of contemporary fashion design.Structure &#38; Materials:The table is composed of gathered stainless steel plates-each plate shaped uniquely and arranged irregularly to form a broken yet intentional surface. These metal fragments vary in size, orientation, and height, with visible gaps between them. The result is a fragmented landscape that reflects the process of fashion as it evolves through experimentation, failure, and refinement.Floating above and subtly nestled among the metal fragments are elegant black ceramic bird forms. These birds, abstract and stylized, appear to be in mid-flight-either perched on the plates or suspended in motion. Their matte ceramic finish contrasts against the cold, reflective steel, adding warmth, movement, and a sense of narrative.Symbolism:The fragmented steel symbolizes the deconstructed foundation of design-fashion in its raw, unfinished state. The gaps represent opportunity and the creative unknown, while the birds evoke freedom, transformation, and the ever-evolving voice of fashion.

Together, they speak to the dialogue between structure and imagination.Functionality in Exhibition:This table serves as both a display platform and an art installation. It can be used to present accessories, textiles, or statement fashion pieces. The interplay of form, texture, and negative space invites viewers to move around it, discover details from different angles, and interpret the fashion objects as part of a larger narrative."Fragments in Flight" is not just a display-it's a visual story about how fashion rises from chaos and takes flight.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Gathered Fragments</title>
		<link>https://madambozarjiants.com/works/gathered-fragments/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Fri, 05 Sep 2025 12:32:50 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=374</guid>

					<description><![CDATA[Gallery Madam Bozarjiants presents Gathered Fragments: Repression, Resilience, and Sacred Beauty, a collection of collectible designs that evoke the simultaneous feelings of chaos and nostalgia through displaced objects, while also exploring the reverence and sanctity of home and memory.

During the Soviet era, particularly in the mid-20th century, repression and forced eviction were common experiences for many families in the Soviet republics, including Georgia. The Soviet regime systematically removed people from their homes, often under the guise of political or economic reforms, and confiscated their belongings, which were seen as symbols of personal ownership and private wealth, both of which were ideologically opposed to the Soviet vision of collective ownership.

The Bozarjiants family, being a notable and affluent family with strong cultural and intellectual connections, was subjected to the broader pattern of repression under Soviet rule. Like many others, their home and belongings were confiscated by the state, which sought to remove any trace of the bourgeois class and consolidate its control over the population.

This exhibition presents a journey through forced displacement, where cherished items of a home, now scattered and abandoned, become imbued with a sense of reverence. As visitors navigate the space, they are invited to experience the profound beauty of objects that are both oppressed by circumstances yet elevated by their emotional and aesthetic significance.

"Gathered Fragments: Repression, Resilience, and Sacred Beauty" is a meditation on loss, memory, and the strength to rebuild. The collectible design pieces presented by Gallery Madam Bozarjiants create a space that speaks to the emotional and historical weight of displacement, together with works by artists IA Liparteliani , Anuka Tavartkiladze, Sophia Shevardnadze and Nia Mgaloblishvili deepen the narrative, adding layers of emotion, history, and beauty. Together, these pieces form a powerful, cohesive experience that reflects the resilience of the human spirit, the sacredness of memory, and the unbroken beauty of what remains. Through this collaboration, the gallery honors the memory of the Bozarjiants family and the lasting impact of displacement on the soul at the begining of soviet era]]></description>
										<content:encoded><![CDATA[Gallery Madam Bozarjiants presents Gathered Fragments: Repression, Resilience, and Sacred Beauty, a collection of collectible designs that evoke the simultaneous feelings of chaos and nostalgia through displaced objects, while also exploring the reverence and sanctity of home and memory.

During the Soviet era, particularly in the mid-20th century, repression and forced eviction were common experiences for many families in the Soviet republics, including Georgia. The Soviet regime systematically removed people from their homes, often under the guise of political or economic reforms, and confiscated their belongings, which were seen as symbols of personal ownership and private wealth, both of which were ideologically opposed to the Soviet vision of collective ownership.

The Bozarjiants family, being a notable and affluent family with strong cultural and intellectual connections, was subjected to the broader pattern of repression under Soviet rule. Like many others, their home and belongings were confiscated by the state, which sought to remove any trace of the bourgeois class and consolidate its control over the population.

This exhibition presents a journey through forced displacement, where cherished items of a home, now scattered and abandoned, become imbued with a sense of reverence. As visitors navigate the space, they are invited to experience the profound beauty of objects that are both oppressed by circumstances yet elevated by their emotional and aesthetic significance.

"Gathered Fragments: Repression, Resilience, and Sacred Beauty" is a meditation on loss, memory, and the strength to rebuild. The collectible design pieces presented by Gallery Madam Bozarjiants create a space that speaks to the emotional and historical weight of displacement, together with works by artists IA Liparteliani , Anuka Tavartkiladze, Sophia Shevardnadze and Nia Mgaloblishvili deepen the narrative, adding layers of emotion, history, and beauty. Together, these pieces form a powerful, cohesive experience that reflects the resilience of the human spirit, the sacredness of memory, and the unbroken beauty of what remains. Through this collaboration, the gallery honors the memory of the Bozarjiants family and the lasting impact of displacement on the soul at the begining of soviet era]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Secret Garden of My Backyard, 2024</title>
		<link>https://madambozarjiants.com/works/the-secret-garden-of-my-backyard-2024/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Fri, 05 Sep 2025 12:28:45 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=367</guid>

					<description><![CDATA[The Secret Garden of my yard is a sanctuary, a hidden gem offers visitors a unique glimpse into both the historical significance of the location and the creative interpretation of its past. Situated within the confines of an old, dilapidated house, the exhibition serves as

a testament to the bounciness of both nature and human history.

At the heart of the installation lies a striking bare metal frame, serving as the focal point for the display. Within this frame, abstract clay figures are arranged, mimicking the growth patterns of creeping plants. Despite the artificiality of their environment, these figures symbolize the innate ability of life to adapt and thrive, even in the most challenging of circumstances.

The choice of abstract figures is deeply intertwined with the history of the house itself. Built in 1914, the house has weathered years of neglect and intervention, yet still bears traces of its former glory. Ornamental details discovered amidst the layers of paint serve as a poignant reminder of the building's storied past.]]></description>
										<content:encoded><![CDATA[The Secret Garden of my yard is a sanctuary, a hidden gem offers visitors a unique glimpse into both the historical significance of the location and the creative interpretation of its past. Situated within the confines of an old, dilapidated house, the exhibition serves as

a testament to the bounciness of both nature and human history.

At the heart of the installation lies a striking bare metal frame, serving as the focal point for the display. Within this frame, abstract clay figures are arranged, mimicking the growth patterns of creeping plants. Despite the artificiality of their environment, these figures symbolize the innate ability of life to adapt and thrive, even in the most challenging of circumstances.

The choice of abstract figures is deeply intertwined with the history of the house itself. Built in 1914, the house has weathered years of neglect and intervention, yet still bears traces of its former glory. Ornamental details discovered amidst the layers of paint serve as a poignant reminder of the building's storied past.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Art Biennale Venice</title>
		<link>https://madambozarjiants.com/works/art-biennale-venice/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Fri, 05 Sep 2025 08:58:17 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=352</guid>

					<description><![CDATA[DesignBureau together with few independent artists has been appointed to represent Georgia during the 56th Venice Biennale titled "All the world's futures" curated by Okwui Enwezor.

The Georgian's pavilion "Crawling boarder" has been curated by Nia Mgaloblishvili has been installed at the "Sala delle Armi" at the Arsenale and it included works of la Liparteliani, Sophia Shevardnadze, Rusudan Khizanishvili, Dima Chikvaidze, lrakli Bluishvili, Joe Sabia.

]]></description>
										<content:encoded><![CDATA[DesignBureau together with few independent artists has been appointed to represent Georgia during the 56th Venice Biennale titled "All the world's futures" curated by Okwui Enwezor.

The Georgian's pavilion "Crawling boarder" has been curated by Nia Mgaloblishvili has been installed at the "Sala delle Armi" at the Arsenale and it included works of la Liparteliani, Sophia Shevardnadze, Rusudan Khizanishvili, Dima Chikvaidze, lrakli Bluishvili, Joe Sabia.

]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Flying Coffee Table</title>
		<link>https://madambozarjiants.com/works/flying-coffee-table/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Thu, 21 Aug 2025 08:32:25 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=302</guid>

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		<item>
		<title>Circular Floor Lamp</title>
		<link>https://madambozarjiants.com/works/circular-floor-lamp/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Thu, 21 Aug 2025 08:30:34 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=298</guid>

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		<title>Wing Chair</title>
		<link>https://madambozarjiants.com/works/wing-chair/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Thu, 21 Aug 2025 08:28:16 +0000</pubDate>
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		<title>Fourset Rug</title>
		<link>https://madambozarjiants.com/works/fourset-rug/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Thu, 21 Aug 2025 08:18:41 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=292</guid>

					<description><![CDATA[<strong>Category</strong>
Carpet

&#160;

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Indoor

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H: 4cm, W: 95cm, D: 145cm 1pc

H: 4cm, W: 190cm, D: 290cm 4pc

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The rug is inspired by the skylight at Madam Bozarjiants's building, located in the entrance of the building. We designed the four sided rug using the stains of our space. The pattern has turned into a beautiful piece of art that holds the history of its original appearance and leads us to the collection

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Carpet

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Indoor

&#160;

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H: 4cm, W: 95cm, D: 145cm 1pc

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The rug is inspired by the skylight at Madam Bozarjiants's building, located in the entrance of the building. We designed the four sided rug using the stains of our space. The pattern has turned into a beautiful piece of art that holds the history of its original appearance and leads us to the collection

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		<title>Halo Pendant Lamp</title>
		<link>https://madambozarjiants.com/works/halo-pendant-lamp/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Thu, 21 Aug 2025 08:16:03 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=287</guid>

					<description><![CDATA[<strong>Category</strong>
Pendant Light

&#160;

<strong>Environment</strong>
Indoor

&#160;

<strong>Dimensions</strong>
H: 5cm, W: 95cm, D: 145cm 1pc

&#160;

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&#160;

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In the world of office life, we witness daily transformations within our workspace. With the pressing need for urgent renovation due to building conditions, we are on a mission to save and reimagine the most captivating elements. This has given birth to a unique concept—the texture of light.

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Pendant Light

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Indoor

&#160;

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H: 5cm, W: 95cm, D: 145cm 1pc

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		<title>Milan Design Week 2023</title>
		<link>https://madambozarjiants.com/works/milan-design-week-2023/</link>
		
		<dc:creator><![CDATA[admin_madam]]></dc:creator>
		<pubDate>Thu, 21 Aug 2025 07:59:54 +0000</pubDate>
				<guid isPermaLink="false">https://madambozarjiants.com/?post_type=product&#038;p=284</guid>

					<description><![CDATA[In celebration of our 10th anniversary, we unveiled Madam Bozardjiants gallery at Milan Design Week 2023, within the atmospheric halls of Alcova Milano R12 Collection was inspired by the beauty of skylights and the natural light they bring into a space. Comprising three artfully conceived pieces a rug, pendant lighting, and a bench each creation channels the timeless elegance of an old building and the skylight that crowns it.

Through this collection, we invite the viewer to experience the gentle passage of light, merging past and present in a play of textures and forms that honor both history and innovation ..]]></description>
										<content:encoded><![CDATA[In celebration of our 10th anniversary, we unveiled Madam Bozardjiants gallery at Milan Design Week 2023, within the atmospheric halls of Alcova Milano R12 Collection was inspired by the beauty of skylights and the natural light they bring into a space. Comprising three artfully conceived pieces a rug, pendant lighting, and a bench each creation channels the timeless elegance of an old building and the skylight that crowns it.

Through this collection, we invite the viewer to experience the gentle passage of light, merging past and present in a play of textures and forms that honor both history and innovation ..]]></content:encoded>
					
		
		
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